MILAN, ITALY- AN EXAMPLE OF DECORATIVE MINIMALISM- YOU KNOW HOW I LOVE BLUE!

NAPLES, ITALY- AN OVAL ENTRANCE HALL HAS A SERIES OF PILASTERS WITH IONIC CAPITALS, FRAMING GRAY-BLUE PANELS BORDERED IN A FANCIFUL GREEK PATTERN IN OCHRE.

MILAN, ITALY- AN ENTRANCE HALL WITH ATTRIBUTES COMMON TO THE BEGINNING OF THE 19TH CENTURY.

ST. MORITZ, SWITZERLAND- THIS ENTRANCE HALL IS PRECISELY FURNISHED WITH A 17TH CENTURY FLORENTINE TABLE, AN 18TH CENTURY VENETIAN TOLE LANTERN AND TWO DRAWINGS OF ITALIAN CITYSCAPES.

MONTE CARLO- THE OVERALL EFFECT OF THIS ENTRANCE HALL IS OF A COLLECTION OF SOUVENIRS FROM THE 19TH CENTURY GRAND TOUR- REINVENTED FOR TODAY!

THE ENTRANCE HALL TO STUDIO PEREGALLI- WHERE CHIC HAPPENS!

MILAN, ITALY- ENTRANCE HALL INSPIRED BY THE BELLE EPOQUE.

MILAN, ITALY- ANOTHER VIEW OF THE PREVIOUS ENTRANCE HALL.

MONOPOLI, SOUTHERN ITALY- A LARGE ENTRANCE HALL WITH ECLECTIC ARCHITECTURAL STYLE.

LUGANO, SWITZTERLAND- CLOSELY SET DORIC COLUMNS DEFINE AN AUSTERE ENTRANCE HALL.

MUNICH, GERMANY- THE NEO-CLASSICAL INSPIRED STAIRCASE HAS STAIRS OF BURGUNDY STONE THAT RISE FROM A FLOOR OF THE SAME MATERIAL.

ODERZO, NORTHERN ITALY- A WIDE CLOSED STAIRWAY HAS A BARREL-VAULTED CEILING ABOVE A STUCCO CORNICE.

OFFENBURG, GERMANY- THIS STAIRWAY RISES IN A SPIRAL AROUND A LARGE 18-TH CENTURY STATUE OF ARTEMIS.

TUSCAN COUNTRYSIDE, ITALY- A RESTORED STAIRCASE HAS SIMPLE STUCCO PILASTERS PAINTED IN GRAY WITH WALLS AND CEILING IN FADED PINKISH-YELLOW PLASTER.

ANDALUSIA, SPAIN- A STAIRWAY IN A LOGGIA- MY ABSOLUTE FAVORITE!

ROBERTO PEREGALLI

LAURA SARTORI RIMINI